Bobcat Goldthwait’s Misfits & Monsters Is A Loopy Twilight Zone For Our Times

Bobcat Goldthwait’s Misfits & Monsters Is A Loopy Twilight Zone For Our Times

Bobcat Goldthwait is maybe not the first name you associate with satirical genre tales. Don’t let that turn you off the very funny, very weird Bobcat Goldthwait’s Misfits & Monsters.

The scripted anthology series — which has a totally different cast, setting and story for each of its eight episodes — debuted in the US July 11, so two instalments have already aired.

The first, “Bubba the Bear”, is a very dark look at what happens when a voice actor (played by Seth Green) is violently stalked by the giant purple bear he plays on TV. The episode cleverly mixes live-action and animation, as well as some unexpected references; at the Misfits & Monsters Comic-Con panel, Goldthwait joked that the episode answered the question: “What if Cape Fear and Roger Rabbit had a baby?”

Last week brought “Face in the Car Lot”, which is about a buffoonish used car salesman who runs for president, despite being totally ill-suited for the job, and the intrepid young newspaper reporter who’s determined to take him down.

The episode manages to accurately reflect the current political mood in America, even though it’s set in the 1970s and has a subplot about the long-standing rivalry between vampires and werewolves.

Next week’s episode, “Devil in the Blue Jeans”, is a Behind the Music/Some Kind of Monster/Phantom of the Paradise/Justin Bieber cautionary tale/mockumentary — which sounds like a lot, but it works thanks to some very committed performances (including Michael Ian Black as Satan).

Future episodes will involve the end of the world, a human-mermaid romance, another foray into animation when a pair of slacker musicians (played by comedy duo Jake and Amir) die and are resurrected as bees, and something Goldthwait described as “a Jerry Lewis movie set around the Kennedy assassination”.

Each story addresses a larger danger (groupthink, being overwhelmed by one’s creative persona, and so on) as part of its wacky, mashed-up plot, and while Misfits & Monsters owes a debt to shows such as The Twilight Zone and Tales From the Crypt, both of which Goldthwait loves, he’s quick to point out the differences, too.

“At the beginning of [every] Tales From the Crypt, you know, somebody did something wrong, and then they’re punished, so it gets a little predictable,” he said at the Misfits & Monsters Comic-Con press room. “I tried to spin the ends of these episodes in a way that hopefully you don’t see coming.”

Goldthwait is a comedy icon — he’s still probably best-known for the Police Academy movies, though he seems to regard the franchise with a certain amount of friendly disgust — but he’s spent most of his career over the last decade behind the camera, directing feature films and stand-up specials for other comedians. (He doesn’t act on Misfits & Monsters, either.)

He told the crowd at Comic-Con that he first had the idea for the show seven or eight years ago, though initially his pitch “went over like a bad fart”. Fortunately for Misfits & Monsters, a lot has changed in the world of TV since then.

“The pie used to be, can you create a show that’s a smash hit that gets a lot of viewers,” he said in the press room. “Now, because of all the different places people make shows, it’s like, ‘Can you just give me a tiny sliver of the pie?’

“I think [networks] are a little more risky, and truTV — there’s a lot of people who aren’t mainstream that they’ve given a show to, like Amy Sedaris and people like that.”

He wanted to make an anthology series that crisscrosses genres because “all the movies that I’ve made — Shakes the Clown is a clown-noir movie making fun of recovery films; then, I did a rom-com with a tiny bit of bestiality, [Sleeping Dogs Lie]; then I did World’s Greatest Dad, and that’s — I don’t even know what that is. And then I did a scary Bigfoot movie, [Willow Creek].

“I just keep trying to challenge myself. Each time I make a movie, it’s not like, ‘What’s going to have mass appeal?’ It’s always, like, ‘Can I make a scary movie?’ That was a big question for me. So, the series kind of gives me a chance to challenge myself each week.”

Bobcat Goldthwait’s Misfits & Monsters runs Wednesday nights on truTV in the US. An Australian broadcaster has not been announced – fingers crossed one will be soon.

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