This Team Discovers 14 New Species An Hour, But They Have An Enemy

This Team Discovers 14 New Species An Hour, But They Have An Enemy

You’ve heard that we know more about space than we do the deep ocean. But did you know it’s so unexplored that scientists discover new species just 200-500 feet down, sometimes at a rate of 14 an hour? A (sort of) manmade enemy threatens those efforts though, and they can’t kill, study, and eat it fast enough.

In every direction, things are getting legitimately intense. To the side, the submarine’s depth meter clicks towards the 150m mark. Above, condensation pools and drips as the tiny sub sweats out its temperature-change. Below, a vertical canyon walls falls away into blackness, its scale so vast that it threatens to overwhelm the brain. And in front — just on the other side of a gleaming, convex bubble-window that pushes into the dark — four figures cling to the sub’s collection basket, surreally lit by the glare of the vessel’s external lights. They’re all members of the California Academy of Sciences‘ “twilight zone” deep-dive team, and they’re headed for a five-hour shift in one of the most mysterious — and critical — ocean layers on Earth.

Sub rides aren’t the norm for this crew (in the increasingly underfunded world of scientific exploration, subs aren’t really the norm for anyone), but since a quicker-than-normal descent could give them a few extra minutes at today’s 137m max depth, they’re giving it a shot. Called the Curasub, the five-person craft belongs to Adriaan “Dutch” Schrier — a former deep-diver who owns Curaçao‘s Royal Sea Aquarium Resort, grounded a sister-ship of Cousteau’s Calypso to serve as his office, and has built more islands, kept more secrets, wooed more women, sweet-talked more dolphins, and risked more death than anyone you know.

Fortunately, the guy who looks uncannily like this also has a passion for advancing marine science, which explains why the Academy team — along with the Smithsonian’s Carole Baldwin and Cristina Castillo, both tucked into the sub beside me — are watching Curaçao’s famous turquoise waters turn a blue so deep it hums.

This Team Discovers 14 New Species An Hour, But They Have An Enemy

The whole quick-descent idea isn’t really working out (or at least that’s my interpretation of the increasingly rude hand-gestures Scientific Diving head Elliott Jessup is making on the other side of the glass), but that’s ok; for twilight-zone missions, outside the sub is where it’s at anyway. “Using an ROV or submersible to actually explore these reefs is like using a helicopter to explore the rainforest canopy,” says ichthyologist and team-member Luiz Rocha. “You just can’t get into the environment that way. Even if you spot something, you really can’t study it.”

The environment they’re out to study is a band of ocean between 60m and 150m that’s properly called the mesophotic. Don’t know anything about it? Neither does anyone else. It earned its “twilight zone” nickname not just because you say a slow, heart-pounding goodbye to the light as you descend into it, but because its deep coral reefs, incredible biodiversity, and the ways those reefs are intertwined with the health of Earth’s shallower reefs (i.e. the reefs you know and love; the reefs that support at least 25 per cent of all marine life and have experienced massive die-offs since the ’70s) are mysteries we need to understand. The team chips away at those questions each time they drop — discovering new species at rates as high as 14 per hour, for example — but today they’re hunting a well-known quarry: the invasive, venomous lionfish.

This Team Discovers 14 New Species An Hour, But They Have An Enemy

Rocha’s on the front line of tracking the rapid spread of lionfish throughout the Caribbean, a tsunami thought to have started with Floridians dumping their overgrown tank-pets into the ocean. Lionfish have no natural predators in these waters, he points out, “and they’re probably decimating some native species before we even know they exist.”

On this dive, Rocha and Jessup — along with Academy aquarium director Bart Shepherd and PhD student Hudson Pinheiro — are collecting as many lionfish as possible for stomach-content analysis and DNA testing. They want to know what native species the lionfish are eating (which will give them a sense of how food chains are being impacted), and whether twilight-zone lionfish are part of (or entirely separate from) the shallow-water populations. If the two groups are connected, then Caribbean countries’ current efforts to contain the lionfish problem — which usually amount to encouraging local divers to spear all they can at recreational depths — may need to be revisited.

This Team Discovers 14 New Species An Hour, But They Have An Enemy

In addition to the lionfish work, the team also furiously collects other scientific data: visual censuses, live animals, 4K video documentation, and more. It’s a high-yield, high-stakes endeavour made possible by modern “rebreather” technology: closed-loop systems that recycle the unused oxygen in your breath while removing exhaled CO2 via sodium-hydroxide-packed scrubbers. What you get is glorious — significantly longer dive times, no fish-disturbing bubbles, warmer breathing air (a nice perk when you’re so deep that your wetsuit is compressing) — but the benefits come with attendant risk. Brian Greene, a fish expert who sometimes dives with the Academy team, puts it this way: “There are maybe a dozen people on the f%*ing planet doing what we’re doing, because it’s f%*ing hard and people die.”

Rebreathers have to constantly balance a diver’s system by adding both oxygen and diluent — a mix of mostly helium and nitrogen that prevents the O2 from getting overly concentrated (and makes serious scientists sound like enraged chipmunks when they talk-yell to each other underwater). Hypoxia lurks on one side of the equation, hyperoxia waits on the other, hypercapnia skulks everywhere in between (all potentially deadly), and because of the amount of inert gases being absorbed into the divers’ tissues — onboarding that’s exponential the deeper they go — coming up from those depths is a mercilessly slow process involving four or more hours of decompression.

This Team Discovers 14 New Species An Hour, But They Have An Enemy

And with every minute at max depths carrying huge additional decompression penalties, the team has to work quickly, but also slowly, since physical exertion promotes the absorption even more gas and oh, by the way, could lead to a lethal CO2 build-up.

Finally, they have to be ready to solve each and every problem, from equipment to physiological, without surfacing, which is why in addition to being loaded with backpack-style rebreathers, they’re also each clipped to multiple tanks of bailout gas — different mixes for different depths. “Bailout” is kind of a misnomer here, since any quick ascent would actually kill you, but being able to switch to these backup open-circuit rigs should let them survive decompression in the event of a rebreather failure. “My mother hates that I do this,” says Shepherd.

Recreational tech divers (those with about $US4K to burn, at least) can purchase rebreathers and “poke their heads down there just for fun,” says Jessup, but actually working down here — chasing fish, laying out transect lines, spearing specimens, lugging video cameras in huge housings — raises the stakes exponentially. “My mum loved that I do this,” Jessup grins, “but I wouldn’t do these dives if it weren’t for science. We’re working so deep that there are no existing decompression schedules. It’s all about super-conservative, calculated risk.”

(On the up-side, lionfish — shown here in its post-stomach-contents-analysis carpaccio form — tastes amazing. Ceviche? Lightly battered? In tiny tacos? Shut. Up. Protect coral reefs and thrill your palate at the same time; start asking for lionfish at your local market.)

This Team Discovers 14 New Species An Hour, But They Have An Enemy

What I’m hearing you say right now is that you suspect people who spear this many lionfish scientifically must pretty good at it. And that you didn’t get enough submarine. And that those things probably deserve an almost unbearably dramatic soundtrack.

I think that seems fair.

Pictures: Bart Shepherd, Luiz Rocha; Video: Elliott Jessup

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